My sculptural work is rooted in natural subjects but driven by expression. I use familiar forms — often drawn from nature — as a starting point to explore thoughts and emotions that are difficult to put into words. While the subjects may be animals or figures, the intention goes beyond representation. 

I focus on creating sculptures that are both visually grounded and structurally expressive — balancing detail with movement, weight, and presence. Some works are highly refined; others are more suggestive in form, depending on what the piece needs to communicate.

Vulpine is a series of sculptures built around the fox as a familiar, instinctive form. Each piece uses that shape to explore different ideas — from natural symmetry to quiet curiosity and emotional posture. Though materials and meanings shift, the series stays grounded in simple forms and a personal connection to the natural world.

These portraits aren’t about likeness, but about what can be worked through using the human form. Each sculpture begins with a face or gesture and moves outward — exploring how ideas, tension, or process can be held within familiar shapes. This is a space for experimenting with meaning, not just appearance.

This body of work explores the figure as a vessel for form and symbolism. While rooted in naturalistic realism, the focus lies less on strict representation and more on how the human form can carry weight, gesture, and presence. These sculptures sit within the same concerns as my wider practice — drawing on nature, emotion, and expression — but distilled through the body, where form and meaning are inseparable.

Being available to Work with other artists opens my sculpting to new directions. I focus on creating outcomes that clearly carry the mix of styles and approaches behind them. Each collaboration is different, and I approach every project with flexibility and an open mind.
If you’re interested in starting a project together, feel free to get in touch.